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Hannah Sawtell and Oscar Cass-Darweish Noise Scraper 2025
Hannah Sawtell and Oscar Cass-Darweish Noise Scraper 2025
Hannah Sawtell and Oscar Cass-Darweish Noise Scraper 2025
Hannah Sawtell and Oscar Cass-Darweish Noise Scraper 2025
Hannah Sawtell and Oscar Cass-Darweish Noise Scraper 2025
Hannah Sawtell and Oscar Cass-Darweish Noise Scraper 2025
  • Venue: Vivid Projects, Birmingham, B5 5TH
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Noise Scraper is a collaboration between Hannah Sawtell and Oscar Cass-Darweish that explores their shared interests in the creative uses of open source browser-based tools. Taking place across Vivid Projects and BRIG Cafe through a series of performances for December Digbeth First Friday. As a playful engagement with digital images, their surfaces and intersections. This project reconfigures Hannah Sawtell’s Useful Tools app to produce sound from the surface of inputted images, to enable dynamic relationships between image and sound through audience-activated installation and performance. 

Time with Vivid Labs has focussed both Hannah’s project Useful Tools in 2023 and Oscar’s residency Observe Protocol (2025), with both examining questions of access, aesthetics of digital representation and real-time data processing in distinct ways that converge for this collaboration. 

For Noise Scraper Hannah considers the labour that exists within the digital image. Who made it, and why, and who it is for. In the age of AI, the digital image exists as a site for extraction. As the product of human labour images and sound have an agency outside of simple and quick analysis, they have a foundation in interactions and exchange that is not just about currency, but collaboration and sharing.

As an action formed by mutual dialogues, Oscar has experimented with the coding for the Useful Tools synthesiser, enabling it to sample visual data from images, video and live feeds to trigger sound. Using the low-level computer vision process of tracing contours to assign sounds to clusters of pixels in images, where colours change sharply. Contours are usually used to start isolating shapes which can then undergo more complex recognition processes to track objects and individuals in images and video. Here, paired with sounds in repetitive loops, their activation through performance invites deliberation on the aesthetic modes by which machines make sense of visual information.



The Venue

Vivid ProjectsThe Warehouse, 54-57 Allison StBirminghamB5 5TH